When I started making music with Ableton Live in my 20s, it was
clear I was more interested in how the audio processing worked
than in the actual music making. Screen fatigue was
extreme—I had zero desire to sit in front of a computer after
work, and lots of creative folks I talked to felt the same way.
My Dropbox years gave me an immense appreciation for the challenge
of making tools for users, not just doing slick engineering. I
wanted to put those skills toward something I loved
dearly—music. It was my opportunity to have an influence on
the music I couldn't make myself. Tool-making with DSP &
hardware became the way.
Perfect Circuit interview →
Quad Operator content →